C.A.M.R. (Computer Aided Musical Research)
C.A.M.R. is the umbrella term for most of my musical activities combining acoustic and electronic instruments since 1989. The intended idea has always been that of the "electronic guerrilla" - i.e., the realization of electronic instruments that are playable in real time and can be transported easily.
10 years after departing from all universities and state-subsidized institutions, the "Mobile Studio" was launched in 2014 in order to work independently - from concert sound reinforcement and recording to the edited and "mastered" audio document.
What can be found on this website
The website is organized into five sections:
Original CD productions and some additional musical impressions. Pieces and excerpts of recordings from 40 years - and also a few vintage posters.
My small and indeed exquisite "Mobile Studio". Here is everything about work, hardware and everything related to the studio, including DIY advice on how to treat the room acoustically and how to build a studio desk.
Synthesizer - a difficult term, but one that has become established. I would have preferred electronic sound generator. Well, here are the synthesizers I work with or (with pleasure) have worked with.
Everything that has to do with computer and MIDI data. Live Electronic, controllers, MAX and M.A.R.S. (a DSP platform). For "live electronic" it is more purposeful to do the programming yourself instead of relying on software that is usually geared towards the production of popular music.
This is neither about music nor about computers, but about all our lives.
Recent posts on my blog.
The time has come to part ways - I am “downsizing” my studio. Very high quality equipment in all price categories is for sale, including rare items.
The second reinterpretation of a historic synthesizer made by Behringer, which I consider to be very successful and which is (almost) available for pocket money.
My editor for the “Modular Solo” module from Kenton. Since I didn't like the operation at the module, I programmed an Editor. This makes it more convenient and provides an excellent overview.
My Full Editor for the Yamaha TX81Z FM-Synthesizer. The TX81Z is a little giant, but is terrible to edit! The Editor makes it accessible from both computer and iPad. SysEx & Yamaha, it's a maze - (my) re-encounter with the 80s.
Quite a sensation to me! Metric Halo, Make Believe Studios and Sontec have released a digital replication of the Sontec MES 432 D9 Mastering Equalizer. And that's just not all!
After viewing a few posts on the 369 topic, particularly those written in German I found to be too superficial, so I followed my impulse and tried to do better.
The Behringer reinterpretation of the ARP 2600 is a magnificent achievement! To me it's the new "people's synthesizer".
Soon after the introduction of mRNA injections, it occasionally seemed to me that our DNA, a double helix, should be transformed into a triple helix.
The Musical Audio Research Station (approx. 1992 - 1999) by IRIS, Paliano, Italy.
My favorite instrument for live electronic music turns 30!
Great Reset?
4th Industrial Revolution?
New World Order?
The Fall of Babylon the Great And I heard another voice from heaven saying,
“Come out of her, my people, lest you share in her sins, and lest you receive of her plagues!
"We are the CO2 to be reduced!"
