Nikola Tesla called the numbers 3 6 9 "the key to the universe". Due to the popular search for "free energy" this quotation also gained an amazing popularity. But I consider it a wrong decision to limit the aim of the search to "free energy". Allegedly already Pythagoras called this number combination "God's numbers" when searching for the harmony of the universe.

Recently, I came across this picture. It shows nine frequencies and their resonance patterns. What fascinated me right away was that these frequencies are arranged in three groups, each with three permutations of the same digits, and the numbers of the three groups give the iterative cross sums 3 6 9.

That all lines of the resonance patterns run to the head is probably to illustrate that all 9 frequencies are in the "musical spectrum" of the hearing range - so the lines all run to the ear.

There are a few "discrepancies" concerning the connection of the 3 6 9 with this picture. I suppose, the image comes from the field of Radionics (see below), because frequencies are measured in Hz only since 1886 (by Heinrich Rudolf Hertz). On the other hand, we come across the mathematical peculiarities of the 3 6 9 already in texts more than 3000 years old. I take the parallel examination therefore on my account - I had got the impulse for this article by this picture and the frequency numbers, and as a musician I have a heart (german: Herz -without "t") for frequencies - and much in the "New Age area" I consider rather quackery, why it also deserves a closer look. Radionics in itself I find very interesting and I have already been told of successful treatments. A fantastic acupuncturist I went to regularly more than 30 years ago also had a radionics case (which looks like a small modular synthesizer), but I only ever went to him for acupuncture. So I assume about radionics that there is "something to it". These frequencies, however, seem to have a different background, which has not been achieved by measurements - and if they are, there really is a need for discussion.

My excursion into the world of numerics (153 - Trinity) is already more than 25 years in the past and the moment for a new enterprise seems to have come. The extreme and rapidly progressing change of our world since the beginning of the seven-year "Apocalypse" (since 9/23/2017) virtually demands it, because we are supposed to wear "the full armor of God" for it (Ephesians 6:11-17). After all, Apocalypse means "unveiling" and it marks "the transition to a new order." I will now gladly offer everything I think I may have in my quiver for this purpose.

Sounds and Colors

Our world is composed of vibrations and resonances in an electro-magnetic living world. All life and all matter reacts to frequencies - so it resonates, but not all frequencies are consciously perceived by us. First of all, we associate the term "frequency" with our hearing, but pitches are only detected by the human ear between about 20 and 20,000 Hz. From 0 to about 17 Hz (that is 17 vibrations per second), we do not yet perceive pitches as coherent, but as individual impulses (beats).

In music, we speak of "octaves" - these are intervals at which doublings or halvings of a frequency occur. Measured in octaves, we hear (at the optimum) within a range of about 11 octaves (octave intervals: 20, 40, 80, 160, 320, 640, 1280, 2560, 5120, 10240, 20480 Hz). The keyboard of a concert grand piano covers frequencies from 27 to 4186 Hz, which is just over 7 octaves. From about 6500 Hz, we usually begin to describe what we hear only as "high-pitched whistling" or "beeping".

However, we also consciously perceive frequencies with our eyes - we call these frequencies "colors". The colors are about 40 octaves higher than the tones. That doesn't sound like a lot at first, but we've all heard about the story of the grain of rice and the chessboard (and many still don't know the solution): If there is one grain of rice on the first square of the chessboard and twice the number of grains of rice on each of the following ones, then the last square (it is the 64th) must have, in words: 18 quintillion, 446 quadrillion, 744 trillion, 73 billion, 709 million, 551 thousand, and 615 grains of rice. It does not go quite so far (with 40 octave doublings) with the colors, but we move with the oscillations of the colors far into the upper half in the trillion range. The color with the lowest frequency is red. It starts at about 430 terahertz and the color spectrum ends with violet at about 770 terahertz. Tera stands for a trillion - so violet vibrates at 770,000,000,000 Hz (770 and 12 zeros).

Water and the High Frequency Range

Within the 40 octaves between tones and colors we do not only skip the hearing limit, but also radioactivity, microwave, X-ray and infrared radiation, i.e. frequencies which we do not perceive consciously (with our senses), but possibly only through their (negative) effects on us, through subsequent medical conditions. Especially in the so-called "high-frequency range" (100 kHz to 300 GHz) our world has changed enormously during the last 120 years and is no longer comparable to the past. Now, however, all living things consist to a large extent of water, and water has a memory. About 30 years ago, the Japanese scientist Dr. Masaru Emoto proved by Magnetic Field Resonance Analysis on the basis of the crystal images of the subsequently frozen water, that water has a memory and not only reacts to information, music, images and words, but also to feelings and adopts their healing or destructive vibrations.

Since this finding represents a substantial attack on "the industry" (not just Pharma), the whole matter was very quickly classified by the corporatístic science (=$cience) as "pseudo-science". However, Dr. Emoto is in best company with his discoveries, among them also Viktor Schauberger, Dr. Bruce Lipton, Dr. Peter Gariaev or the virologist (and Nobel Prize laureate) Luc Montagnier.

The Vortex

Vortex is a term from fluid dynamics and is a region in a fluid in which the flow revolves around an axis line. Before I will go into more detail about the 9 frequencies shown above, the vortex calculation is ideal to first emphasize the undoubted peculiarity of the "3 6 9". Also some distinctive features of our numbers in the one-digit range (10 basis) will become recognizable with it.

We count ten digits: 0, 1, 2, 3, 4, 5, 6, 7, 8, 9. Zero alone represents nothingness and, when placed to the right of another digit, it represents multiples. Furthermore, the zero marks the transition from positive to negative values. The zero takes a special position, it is not exactly a number and therefore it gets its place in the Vortex calculation inside the circle, which itself looks quite similar to a 0 and on its edge the digits 1 to 9 are placed in a regular distance of 40º. A circle covers 360º (9 x 40) and the digit sum of 360 is 9 (3 + 6 + 0 = 9).

It is a circle, because a vortex is to be regarded as circular from the inside. Since the doubling of the values (binary system) is used for the calculation of the vortex and there are only one digit values and even odd values in the row 1 to 9, the calculation is carried out by cross sums. In order to achieve one-digit values, "iterative cross sums" are calculated - iterative comes from the Latin meaning "repeated". This indicates that the results are recalculated in the same way until they are again in the single-digit range.
(Example: 625 -> 6 + 2 + 5 = 13 -> 1 + 3 = 4)

To add some "magic" to the digit sum for "digit sum novices" as a mathematical element, I have added a special feature concerning the calculation of the 9 vortex in the graph in smaller letters in the boxes: the iterative digit sum in the binary calculation is identical with the integer of the initial position.


We will begin with 1 and the vortex will be completed when we get back to the 1:

1
1 + 1 = 2
2 + 2 = 4
4 + 4 = 8
8 + 8 = 16 -> 1 + 6 = 7
16 + 16 = 32 -> 3 + 2 = 5
32 + 32 = 64 -> 6 + 4 = 10 -> 1 + 0 = 1

Thus, the sequence of numbers until the repetition is:
1, 2, 4, 8, 7, 5
The digit sum of 1 + 2 + 4 + 8 + 7 + 5 results in 27,
the iterative digit sum is 9. (1 + 2 + 4 + 8 + 7 + 5 = 27 -> 2 + 7 = 9)
The number sequence consists of 6 numbers and the 3 numbers not affected are 3, 6 and 9.
Also the iterative digit sum of 3, 6 und 9 is 9. (3 + 6 + 9 = 18 -> 1 + 8 = 9)
Within the circle, number 9 forms a triangle with 3 and 6, and 9 takes a kind of axis position.
We are approaching the specific nature of the number 9.

The calculation method of doubling (before the digit sum calculation) is called "Dual System" or "Binary System".
In decimal notation, it is usually represented like this:
2⁰= 1, 2¹= 2, 2²= 4, 2³= 8, 2⁴= 16, 2⁵= 32, 2⁶= 64, etc.

Let's leave the vortex for a moment and calculate in the binary system into the higher values: we will still keep the digit sum sequence 1, 2, 4, 8, 7, 5 (whose iterative digit sum is 9). Just as in the vortex, the digit sums appear as a sequence that repeats itself endlessly:

1 -> 1
2 -> 2
4 -> 4
8 -> 8
16 -> 1 + 6 = 7
32 -> 3 + 2 = 5
____
64 -> 6 + 4 = 10 -> 1 + 0 = 1
128 -> 1 + 2 + 8 = 11 -> 1 + 1 = 2
256 -> 2 + 5 + 6 = 13 -> 1 + 3 = 4
512 -> 5 + 1 + 2 = 8
1024 -> 1 + 0 + 2 + 4 = 7
2048 -> 2 + 0 + 4 + 8 = 14 -> 1 + 4 = 5
____
4096 -> 4 + 0 + 9 + 6 = 19 -> 1 + 0 = 1
8192 -> 8 + 1 + 9 + 2 = 20 -> 2 + 0 = 2
16384 -> 1 + 6 + 3 + 8 + 4 = 22 -> 2 + 2 = 4
32768 -> 3 + 2 + 7 + 6 + 8 = 26 -> 2 + 6 = 8
… etc.
The cross-sum sequence 1, 2, 4, 8, 7, 5 will continue endlessly in a spiral form and the numbers on the circle will remain identical with iterative cross-sums of the increasing values.

This also works in the other direction, i.e. the halving.
The digit sums 1, 2, 4, 8, 7, 5 then naturally appear in reverse order 5, 7, 8, 4, 2, 1:

1 : 2 = 0,5 -> 0 + 5 = 5
0,5 : 2 = 0,25 -> 0 + 2 + 5 = 7
0,25 : 2 = 0,125 -> 0 + 1 + 2 + 5 = 8
0,125 : 2 = 0,0625 -> 0 + 0 + 6 + 2 + 5 = 13 -> 1 + 3 = 4
0,0625 : 2 = 0,03125 -> 0 + 0 + 3 + 1 + 2 + 5 = 11 -> 1 + 1 = 2
0,03125 : 2 = 0,015625 -> 0 + 0 + 1 + 5 + 6 + 2 + 5 = 19 -> 1 + 9 = 10 -> 1 + 0 = 1
____
0,015625 : 2 = 0,0078125 -> 0 + 0 + 0 + 7 + 8 + 1 + 2 + 5 = 23 -> 2 + 3 = 5
… usw.

We encounter a principle in the binary system that we also encounter in nature at a very early stage - and that is in the division of cells:
Doubling takes place by halving - doubling and halving go together.

We also encounter this principle - in a quasi two-dimensional form - in the series of iterative cross sums when doubling the summands of 9 (3 and 6):

3 x 2 = 6
6 x 2 = 12 -> 1 + 2 = 3
12 x 2 = 24 -> 2 + 4 = 6
24 x 2 = 48 -> 4 + 8 = 12 -> 1 + 2 = 3
48 x 2 = 96 -> 9 + 6 = 15 -> 1 + 5 = 6
96 x 2 = 192 -> 1 + 9 + 2 = 12 -> 1 + 2 = 3
192 x 2 = 384 -> 3 + 8 + 4 = 15 -> 1 + 5 = 6
384 x 2 = 768 -> 7 + 6 + 8 = 21 -> 2 + 1 = 3
etc. _
Doubling and halving always happen in a succession and always correspond to the value of the summands of 9,
3 ,6, 3, 6, 3, 6, …

3 and 6 are the summands of 9 and the seen behavior corresponds with a peculiarity of the number 9:
In multiplication of 9, the digit sums of the results always add up to 9:

1 x 9 = 9
2 x 9 = 18 -> 1 + 8 = 9
3 x 9 = 27 -> 2 + 7 = 9
4 x 9 = 36 -> 3 + 6 = 9
5 x 9 = 45 -> 4 + 5 = 9
6 x 9 = 54 -> 5 + 4 = 9
7 x 9 = 63 -> 6 + 3 = 9
8 x 9 = 72 -> 7 + 2 = 9
9 x 9 = 81 -> 8 + 1 = 9

And another (rather entertaining) feature of the 9:
If 9 itself is a summand, the sum's digit sum will always be identical to the sum's digit sum of the summand "n":
(in the one-digit range, the value "n" is simultanously also the cross sum)

9 + 1 = 10 -> 1 + 0 = 1
9 + 2 = 11 -> 1 + 1 = 2
9 + 3 = 12 -> 1 + 2 = 3
... etc.
9 + 122 = 131 (summand n: 122 -> 1 + 2 + 2 = 5; sum: 131 -> 1 + 3 + 1 = 5
9 + 2312 = 2321 (summand n: 2312 -> 2 + 3 + 1 + 2 = 8; sum: 2321 -> 2 + 3 + 2 + 1 = 8
9 + 5674 = 5683 (summand n: 5674 -> 5 + 6 + 7 + 4 = 22 -> 2 + 2 = 4; sum: 5683 -> 5 + 6 + 8 + 3 = 22 -> 2 + 2 = 4

If we consider the zero-crossing (inside the circle) as the spot where the polarity change takes place, the formation of the toroidal energy flow becomes comprehensible. The beautiful animation, which shows exactly this, I have found here: (Link).

The principle of nine, which arises from the base of 10, in which the 0 stands for both everything and nothingness, can be found throughout the world in many cultures and religions. Perhaps most clearly for us in the ancient Egypt. There it is Atum (1) who created himself from nothingness (0), then Shu (2) and Tefnut (3), Geb (4) and Nut (5), then Osiris (6), Isis (7), Seth (8) and Nephthys (9) - to us this is known as the Ennead or nineness of Heliopolis - written by Plotinus (*205 †270), the founder of "Neoplatonism" (700 years after Plato). When Plotinus died, his student Porphyrios arranged his writings and published them in six groups of nine as the "Enneads". Plotinus can still be found today in a relief of a sarcophagus in the Museo Gregoriano Profano - which is part of the Vatican Museums.

The vortex (as well as the cell division) is strongly reminiscent of the mathematical sign for infinity ∞, the en soph (the unground) and of the "Moebius strip". It could be seen as a description of earthly life - in perpetuum (forever) - and the saying "history repeats itself" comes to mind. Even if it seems as if there is above and below, the Moebius tape only has one side. The zero crossing, which seems like the change to the "other" side, however, is the change of polarity and would come into question as the symbol for the generation change in this interpretation. If the Moebiusband (the vortex) represents "this world", the 3 6 9 triangle corresponds to a perfect embodiment of the "beyond", or rather, "heaven" or the "heavenly principle".

In Norse mythology, it is Yggdrasil, the tree of life, which, from this point of view, represents "the zero for nothing and everything". It kept the nine worlds together and Odin let himself hang into the Yggdrasil for 9 days and nights to gain wisdom. Odin, the "father of the gods" of the Vikings, owned an 8-legged horse, "Sleipnir", in English "the one that glides along".

We have attained the base 2 with the exponent 6 = 2⁶= 64 in the Vortex of Nine calculation. This system is already used in the oldest oracle book known to us, the Chinese "I Ching", which consists of 64 "instructions" (chapters). For each of these 64 instructions stands a hexagram, which is composed of two trigrams, 2 x 3 = 6 lines, which are either continuous or interrupted. Additionally, the lines can be classified as "old" or "young", depending on the oracle result.

Even the "Tao te king" by Lao Tzu (the main work of Taoism) is structured in 81 passages (9x9 or 3* 3³).

For the Central Europeans, clear connections to the 3 Abrahamic religions (Judaism, Christianity and Islam) are revealed, even if the representations are somewhat different. In Christianity (in the "Trinity") and in the Bible it is already recognizable by the numbers:
The digit sum of the sequence 1, 2, 4, 8, 7, 5 is 27. Not only that the New Testament consists of 27 books, 27 is also "the completion of the third power" (3 x 3 x 3) and 333 stands for a "divine imperative". 3 + 3 + 3 = 9; 3 x 3 x 3 = 27 -> 2 + 7 = 9.

In the Orthodox and Roman Catholic Christianity we meet the hierarchy of angels:

Dionysius Areopagita described nine levels of spiritual beings,
which are to be divided into three orders.

Dionysius Areopagita

The author of the "Heavenly Hierarchies" is referred to today as "Pseudo Dionysius Areopagita" because the writing dates from the 5th century, but the student of Paul and first bishop of Athens, Dionysius Areopagita, lived in the 1st century. The author of the scripture, Pseudo Dionysius Areopagita, who probably came from Syria and whose original name is unknown, is said to have used this name as a pseudonym - hence "Pseudo Dionysius Areopagita".

It was a time when many oral traditions found their way into written documents. So it is quite conceivable that the original content might actually have come from Dionysius Areopagita. At that time, it was also quite common to transfer the names (or parts of the names) of the teachers to the notable students - just as the names "Caesar" and "Augustus" were adopted in the titulature of later Roman emperors.

But it is interesting here that the author, Pseudo Dionysius Areopagita, was significantly influenced by Plotin (Neo-Platonism) and the "Trinity" was defined in this period. It was primarily about the heavenly hierarchy, but also about the ecclesiastical and state hierarchy. Etymologically, the term hierarchy can be traced back to the Greek ἱερός (hieros) = holy. So it was not just about an ordinary hierarchy. The "Nine Levels" were originally called "Nine Choirs" - I find this much more meaningful because the term "choir" refers to the harmony or interaction.

First level of hierarchy (3rd Kingdom of Heaven) reflects the Father:
Seraphim, Spirits of All-Love
Cherubim, Spirits of the Harmonies
Thrones, Spirits of the Will

Second level of hierarchy (2nd Kingdom of Heaven) reflects the son:
Kyriotetes (lat. dominationes), Spirits of Wisdom
Dynamis (lat. virtutes), Spirits of Motion
Exusiai (lat. potestates, hebr. Elohim) Powers, Spirits of Form

Third level of hierarchy (1st Kingdom of Heaven) reflects the Holy Spirit:
Archai (lat. principates), elemental forces, Spirits of Personality
Archangeloi, archangels, sons of fire, Spirits of Fire
Angeloi (lat. angeli), angels, sons of twilight, sons of life, Spirits of the Twilight, messengers.

Also the much older, Ethiopian Book of Enoch deals with the hierarchy of angels in the order of 9. The oldest parts of the book are from about the year 300 BC - which is why Dionysius Areopagita of the first century could well have known it. The Book of Enoch contains the earliest accounts of the Apocalypse (like Daniel and John), but was not included in the Canon (the Bible) and belongs to the Apocrypha. Enoch himself represents the 7th generation after Adam and Eve and was a descendant of Set, the third son of Adam and Eve (after Cain and Abel).

In the period between 500 BC and 600 AD there were enormous upheavals, and not just the shift from Pythagoras and Plato to Aristotle and the emergence of the "empirical sciences", as well as from Plato to Plotin and the Neo-Platonists. It was the time of the "Babylonian Exile" (597 B.C. - 537 A.D.), Christianity was defined and the Scripture of the Yahwist was followed first by the Elohist, then by Deuteronomy and finally by the "Priestly Scripture". It was a huge "rebuilding" period, whose individual sections were all related to political changes. At the end of this period, Christianity became the Roman state religion, the Talmud followed the Tenach, and the Sefer ha-Razim (Hebrew ספר הרזים ' Book of Secrets') appeared, which later led to the Kabbalah.

I suppose that we are here in a time of great inversions, reinterpretations and "infiltrations". This period deserved a much more accurate, independent consideration, because historical scripts were put in a new order. It was also the end of the ancient world and the Middle Ages began. Also our today's "western" world took its beginning.

In the last period of the Middle Ages, we again encounter the angelic hierarchy in "The Divine Comedy" by Dante Alighieri. Here it is explained by Beatrice (the blessing-giver) in the 28th canto of Paradiso. Beatrice stands for the purified knowledge. In the work of Dante, a connection to the Templars can be clearly identified.

According to the "Nine levels of spiritual beings, which are to be divided into three orders", we now turn to the

Nine Frequencies, which are to be divided into Three Orders

In the image we can see the nine frequencies divided into three orders. The orders (or groups) are easy to identify because the three-digit values of each group consist of identical numbers ordered by permutation. The permutation is created by moving the last digit of a value to the first digit of the following value.

Starting from the bottom, it begins with 852 Hz. This group is therefore composed as follows: 852, 285, 528.
The iterative digit sum is 6 (8 + 5 + 2 = 15 -> 1 + 5 = 6)

The middle group starts with 741 Hz and we get the numbers 741, 174 and 417.
The iterative digit sum is 3 (4 + 1 + 7 = 12 -> 1 + 2 = 3)

The top group starts with 639 Hz and we get the numbers 639, 963 and 396.
The iterative digit sum is 9 (6 + 3 + 9 = 18 -> 1 + 8 = 9)

If we now think of the upper group (9) at the 12 o'clock position of a circle, the middle group (3) at about the 4 o'clock position, and the lower group (6) at about the 8 o'clock position, then the triangle from the vortex plot with 3, 6, 9 results.

A striking Arrangement

The 9 frequencies in ascending order, as a "chromatic" scale, so to speak, starting with the digits 1 to 9 for the hundreds:
174, 285, 396, 417, 528, 639, 741, 852 und 963 Hz
The second and third digits (for the tens and ones digits) also run in linear ascending order. Each of them starts offset by 3 digits.

So we have three series, successively ascending in cyclic order:
Hundreds: 1, 2, 3, 4, 5, 6, 7, 8, 9.
Tens: 7, 8, 9, 1, 2, 3, 4, 5, 6.
Ones: 4, 5, 6, 7, 8, 9, 1, 2, 3.

Thus we have 3 connected squares with 9 digits.
3 x 9 = 27 = 3 x 3 x 3. And 2 + 7 = 9.

// That is indeed very, very systematic. I am not a natural scientist, but at this point I strongly doubted that such a linkage occurs in nature. To me it seemed to be "man-made". Such techniques are more likely to be found in numerology. Perhaps it also originates from the "magic" or "mythical" mathematics and the time of Pythagoras.

The image is to clarify the "property" of the 3 squares with the 9 three-digit numbers:
The 9 fields are provided with their indices for this purpose. In orange you find the sums from the addition (horizontal, vertical, diagonal) and in blue the digit sums. In the 3-fold arrangement of the squares with the 9 digits ( image above ), a permutation is executed as it was seen with the frequencies, only this time with the 3 digit number instead of a single digit.

Read horizontally, the indices of the 9's square result in the respective first digits of the 3 squares containing the frequencies. If now (instead of only one digit) the last row 7,8,9 is placed in the first position, it results in the second digits of the uppermost of the three squares, i.e. the middle numbers (in vertical reading). Now we start again in the indices square (horizontally) in the first row and 1,2,3 and 4,5,6 make the second digits (vertically) of the middle and bottom square (of the three squares). Now the last row 4,5,6 is put back into the first place and gives the 3 ones digits of the top square (of the 3 three squares). For the ones of the middle and bottom square we continue with 7,8,9 and 1,2,3. //

What seems somewhat complicated with numbers is a cakewalk when presented graphically:

We only need to follow the lines of a triangle to get to these three-digit values, e.g. 1-7-4 and then start again at the last number (4), which is 4-1-7 and finally 7-4-1. In this example, yellow gives the first, green the second and blue the third row of the 9 three-digit numbers in the three squares.

Here the connection to nature is also apparent.

_____

These nine frequencies are considered to be a kind of "tuning frequencies" of the human being, creating important ("healing") resonances, and they can supposedly be applied to the whole universe. And here it becomes really interesting, because it not only leads into electro-magnetism, but also into the definition of spirit and matter in general, into theosophy and with it into the historical texts scriptures, which are conveyed in many religions (mostly hidden) - and with it also into numerics (e.g. Gematria or Kabbalah).

Since everything is based on polarity, however, there are not always only positive effects, but also negative ones - I guess, however, this can refer only to the combination of several frequencies from different groups. As a possible interval is to be produced with these frequencies for instance also the (long forbidden) interval "Diabolus in Musica" (the devil in music), which corresponds from the spacing to the interval "Tritone" in our today's "tempered" tone system. They are 528 Hz and 741 Hz - the middle frequency of the group with the digit sum 6 and the upper frequency of the group with the digit sum 3.

In old Rosicrucian texts the number 741 represents Lucifer and the upper frequency of the "Diabolus in Musica" is 741 Hz - but as already reported in the introduction, it is measured in Hertz only since 1886. Nevertheless I want to mention it, because the "number-magic" is found here in the frequencies and the Rosicrucian order belongs to the high degree masonry and had many occultists and Satanists in high offices (e.g. Stanislas de Guaita). However, Lucifer is not synonymous with Satan - the mixing of Lucifer and Satan seems to be more a phenomenon of modern times. In former times the planet Venus was called "Lucifer" (from lat. Lux, light). Satan is associated with the planet Saturn. Saturn is the slowest planet. It needs 360 months for one revolution around the sun and 36 is the triangular base number of 666 (1 + 2 + 3 + 4 + ... + 36 = 666).

"From the Magical, Qabbalistic and Theosophical Writings of Georgius von Welling (1655 - 1727) on the subject of Salt, Sulphur and Mercury" (published in Frankfurt and Leipzig in 1735 and 1760): "Lucifer is the greatest mystery of symbolism. The secret knowledge of the Rosicrucians about Lucifer is nowhere so clearly set forth as on the fifteen Kabbalistic Chart Tablets of the Rosicrucians, which practically reveal his true identity, a carefully guarded secret about which so very little has been written. Lucifer is represented by the number 741."

How and if these nine frequencies work, I cannot say - it would be interesting to know more about it, but it is not possible for me to find out and belongs to the natural sciences. I remain with the numbers.

I think it is worth mentioning that the addition of "Lucifer's number" 741 with its mirrored form 147 results in 888 (741 + 147 = 888). 888 is the number which represents Jesus in Christianity (Greek).

The numbers of the groups with the digit sum of 3 and the digit sum of 6 are also called "feminine" (3) and "masculine" (6) and they are leading from masculine to inverted (mirrored) feminine and vice versa in the duplicated addition of their digits.

The duplication of the digits is also achieved here by mirroring and it is calculated from the outside to the inside:

e.g.
feminine to masculine (inverted)
174 to 258 (= 852 inverted)
174 + 471 -> 1 + 1 and 7 + 7 and 4 + 4
1 + 1 = 2
7 + 7 = 14 = 5
4 + 4 = 8

or: masculine to feminine (inverted)
285 to 471 (= 174 inverted)
285 + 582 -> 2 + 2 and 8 + 8 and 5 + 5
2 + 2 = 4
8 + 8 = 16 = 7
5 + 5 = 10 = 1

As expected, this kind of calculation also leads to an inverted form for the group with the cross sum 9 (and the digits 3, 6, 9), but they are the inverted form for the same group! This is due to the digits 3 6 9 (= 1 x 3, 2 x 3, 3 x 3) and the characteristic of 9 in the cross sum. The 3 6 9 group has a special position and will come into the focus at the arrangements furthermore. I call it the "axis group". For the other two groups I have already committed myself with "male" and "female". This axis group behaves similarly or the same, like the "Bible numbers" 36, 144, 153, 333, 666, 1224, 1260 or 2160 - these are all central numbers in the Bible, which have the digit sum 9 in common (see my article " 153-Trinity"). But here is the inversion calculation of 639:

639 to 369 (= 963 inverted)
6 + 6 = 12 = 3
3 + 3 = 6
9 + 9 = 18 = 9

The characteristics of these calculations correspond in a striking way to the characteristics of the vortex calculation with 9 points

The transformation of the male (6) into the inverted female (3) numbers and of the female (3) into the inverted male (6) numbers strongly correspond to the pole change at the zero run and the series of the iterative cross sums at the doubling of the summands of 9 (which always change between 3 and 6). The inversion of the "3 6 9 group" (cross sum 9) into "itself" corresponds to the "axis position" of 9 in the vortex calculation.

In fact, it is becoming increasingly clear that we are dealing with a systemic configuration that has "organic behavioral consistencies".

Counterevidence

Here is an example of how the conversions with their particular inversions are not the norm.
It's an example with an arbitrary three-digit number:

732 leads to 564
7 + 7 = 14 = 5
3 + 3 = 6
2 + 2 = 4

564 leads to 138
5 + 5 = 10 = 1
6 + 6 = 12 = 3
4 + 4 = 8

In other words, it leads "from nowhere to nowhere".

More amazing arrangements

To begin with, I would like to show the output arrangement of the 9 frequencies. The easiest way to do this is with a graphic. Above we see (in white) the 9 digits from the base 10, which are used for the frequencies. (As with the Vortex, the 0 is omitted.) The three groups can be distinguished by color coding. On the left are the Hertz numbers of the 9 frequencies - the hundreds digits run successively from 1 to 9 (from top to bottom). To the right are the used digits of the respective group. Since it is a matter of permutations within the group, it is of course always the same digits. Behind it (white, in brackets) are the indexings of the digits to generate the frequency number to the left of it (they actually only show that the rearmost digit is in front at the next permutation). It is noticeable, however, that within the colored rows for the production of the frequency number, always one digit is skipped.

However, what really catches my eye and makes me think is how amazingly simple the numbers for the frequency groupings (same colors) come about by the division into three times 3 rows (index groups). The method of the selection of the numbers (every 3rd number for the same (color) row appears besides, like the entrance into a harmony theory and reminds very much of the scale formation of our scales (Do Re Mi Fa Sol La Ti), of which the tones happen by third layering (steps of 3) over 2 octaves. The tones from the second octave are then set one octave lower and thus result in the "passing tones" (Re, Fa and La).

For each of the three (color-coded) groups of 3, at first, from the top row, the third digit (1-9, white) is selected in direct sequence and placed in its own row. In the row, every 2nd digit is then skipped until 3 digits generate the number - because there are only three digits per row, the row must be run through several times for this. In the first index group we start with the first digit, in the second with the second digit and in the third with the third digit. This is how we get the frequencies in the horizontal. Written in three lines with 3 frequencies each, the grouping by the digits can already be seen in the vertical:

174, 285, 396
417, 528, 639
741, 852, 963

Now the second axis "Y" is added because we are now dealing with a square order (and two axes). Also in the vertical the system from the horizontal order (now X-axis [1]) is applied and each time one place is skipped. However, this time we go the opposite direction and start on the Y-axis [2] from the 2nd position. So we get the order of the frequencies for the "male" and "female" group, exactly as in the image.

For the 3 6 9 "axis group", which inverts into itself, we "double" the principle and here we start from the vertical position 2 (639) in the middle index group. From the structure it resembles the construction of a "magic square". To be read: vertically, from bottom to top and from left to right:

528, 417, 396
285, 174, 963
852, 741, 639

This type of numerological nesting is also something I have encountered before throughout the Bible. (See:153 - Trinity)

Hence, the representation in the image is not accidental, but follows the systemic procedure used. It therefore shows not just simply the frequencies, but also the order.

Finally, one more time regarding the Vortex:

In the vortex calculation there was the sequence of the digit sums 1, 2, 4, 8, 7, 5.
The iterative digit sum was = 27 = 9,
and it coincides with the digit sum of the 3 6 9 "axis group".

If we now apply the principle again and skip one value each and then divide the sequence into two halves, we extract the digits (and the corresponding cross sums) of the "male" and "female" group from the complete sequence by this method:

(yellow) digits of the "female" sequence:
1 + 4 + 7 = 12 -> 1 + 2 = 3
(green) digits of the "male" sequence:
2 + 8 + 5 = 15 -> 1 + 5 = 6
The full or "axis" sequence:
1 + 2 + 4 + 8 + 7 + 5 = 27 -> 2 + 7 = 9

We have arrived at the 3 6 9.

In the vortex calculation we had the digit sum sequence 1, 2, 4, 8, 7, 5.
The iterative digit sum was = 27 = 9,
and it coincides with the digit sum of the 3 6 9 "axis group".

3 6 9 - a Reflection

3 6 9 is an interesting entity and has a strong radiance - much stronger than, for example, 2 4 8. There are several reasons for this. I start with an "approach by negation" and reply first, why 3 6 9 has a stronger radiance than 2 4 8.

First of all, the unit of 2 4 8 is not "as round" (resp. as triangular), as with 3 6 9, because 2 4 8 is only a (one-dimensional) linear "concatenation" and the digits are mainly defined by the contact to the neighboring number, which is based on simple doubling (2 x 2 = 4 and 4 x 2 = 8). Already with 8 x 2 we are "out", because the sum of 16 in the iterative (one-digit) cross sum results in 7 and already here "the story" has come to an end. Likewise in the power we have 2²= 4, 4²= 16 = 7 and 8²= 64 = 10 = 1. This leads into arbitrariness, is rather uninteresting and lacks any statement. Not only is the concatenation one-dimensional, also with the smallest sunmand "2" only one (one-dimensional) line can be produced by the connection of 2 points.

Entirely different with the 3. With 3 points a plane can be defined, by their connection even with the smallest summand of the group! With the 3 6 9 we have three powers of 3 in a group of 3 elements, what appears as "consolidated" - we could, in contrast to the 2 4 8 group, also speak of a certain self-referentiality:

The first two numbers at 3 6 9 are also the summands of the third number.
Its index is also its factor: (3) 1 x 3, (6) 2 x 3, (9) 3 x 3.
In power, they generate the same digit sum: 3²= 9, 6²= 36 = 9 and 9²= 81 = 9.
In the addition, the digit sums on each step again result in 9, so 9 + 9 = 18 = 9, and 9 + 9 + 9 = 27 = 9 = 3 x 3 = 3 + 3 + 3.
In the multiplication of the digit sums it behaves the same: 9 x 9 = 81 = 9 and 9 x 9 x 9 = 729 = 18 = 9. Here the peculiarity of the 9 plays out its role, which is why it shows up in the same way with the 3's exponent:
3³= 27 = 9; 6³= 324 = 9; 9³= 729 = 18 = 9.

My estimation to the numbers and to the mathematics is that the mathematics actually begins only with the 3, 1 is so to speak "I" and 2 is "You" (or "the counterpart"). I don't know how animals are thinking, but I assume that every animal is able to reflect like that. Abstraction comes into play with 3. I have put this first because I want to point to another important aspect, namely that the 3 is a prime number! Prime numbers are very special "individuals" among the numbers and they also love the exponent 2. Yes, the number 2 is also a prime number, and it is indeed the only "even" prime number. But it rather appears as the "foundling" among the prime numbers and was quasi "adopted" because of its proximity to 1. Prime numbers can only be divided by themselves or by 1, and because there is no other number between 2 and 1, 2 fulfills both requirements for a prime number.

In connection with the prime numbers finally also the 6 can show its inconspicuous, but massive peculiarity, because next to every prime number lies (at least on one side) always a number with the divisor 6.

Radionics

For the sake of completeness, I have copied the cross references of the nine frequencies discussed from the book "The Electroherbalism Frequency Lists" by Brian McInturff, which is devoted to radionics. For 6 of the 9 frequencies, the term "Solfeggio Scale" is mentioned. I think I should try to ask Brian McInturff what he thinks about the 3 remaining frequencies.

Radionics is a bioresonance method from alternative medicine. It includes radiesthesia (teaching about the effect of rays), electronics (control of electrons) and elements from quantum physics. Radionics is based on the idea that every living being has morphic fields (subtle energy fields) and that these energy fields allow conclusions to be drawn about the body, mind and soul, i.e. that a sick body has different vibrations than a healthy one.

The CAFL Cross Reference

174 Hz - Breast tumor benign TR, Folliculitis hot tub, Otitis externa, Pseudomonas aeruginosa, Pseudomonas gen, Streptococcus pneumoniae mixed flora, Swimmers ear, Transformation series

285 Hz - Microsporum audouini, Ruko tick, Transformation series

396 Hz - Solfeggio Scale, Transformation series

417 Hz - Bacillus Coll Rod Form, Lyme and Rocky Mtn Spotted Fever v, Rocky Mtn Spotted Fever and Lyme v, Solfeggio Scale, Transformation series

528 Hz - Backache and spasms 1, DNA repair, Hepatitis C, Hepatitis general v, Herpes type 2 comp, Herpes type 2A secondary, Hypertension, Joint pain basic TR, Lichen sclerosus TR, Solfeggio Scale, Transformation series

639 Hz - Anthrax 1,Botulinum, Coughing from flu vaccine 1, Gulf war syndrome v, Solfeggio Scale, Staphilococci infection, Staphilococcus comp, Staphilococcus general, Transformation series

741 Hz - Acne, ALS 4, Cancer leukemia feline, Influenza 1993 secondary, Influenza overnight TR, Multiple sclerosis v, Mumps secondary, Parasites general alternative v, Sinusitis, Sinusitis 4, Sinusitis maxillaris, Solfeggio Scale, Transformation series, Tuberculosis aviare

852 Hz - Cancer carcinoma bronchial, Cancer mycosis fungoides, Mycogone fungoides, Mycosis fungoides, Solfeggio Scale, Toxoplasmosis, Transformation series

963 Hz - Herpes TR, Influenza 2005 fall TR, Transformation series

I cannot pass judgment on these frequencies because I cannot verify them medically or physically. Listening alone is not that helpful. I will try to talk to radionics practitioners (holistic practitioners). I think this should be of mutual interest.

Current medical Research

Because I wrote about feminine (with digit sum 3) and masculine numbers (with digit sum 6), I should quote here from a relatively recent research report from the field of gene research. It contains statements about the effect of the "male" 528 Hz on testosterone and the reduction of anxiety - maybe just a pretty coincidence, but perhaps not:

Testosterone is a nuclear androgen receptor ligand that controls multiple pathways in brain. In addition to the active biosynthesis of steroids in classic steroidogenic organs such as gonads, adrenals and placenta, testosterone also produced in astrocyte cells of brain. Testosterone and its level must be regulated in brain; because, it directly and indirectly affects memory and several key behavioral characteristics. The significance of sound waves on key enzymes that regulate levels of testosterone in brain has not been investigated. The aim of our study was to examine physical stress of such as sound on induction behavioral changes in animal models. According to the current study, sound waves with 528 Hz frequency in 100 dB intensity induce testosterone production in brain by enhancing StAR and SF-1 and reducing P450 aromatase gene expression. Frequency of 528 Hz also reduces total concentration of reactive oxidative species in brain tissue. Prolonged exposure to this sound wave showed reduction of anxiety related behaviors in rats. The results reveal that reduced anxiety is related to increased concentration of testosterone in brain. This study may lead to ascertain a possible therapy in which sounds may be utilized to reduce anxiety in individual.»

Original article on Researchgate (opens in new window)

Who in the world composed these 9 frequencies like this?

It is clear that the figures of these frequencies are much older than the frequency measurement in Hertz. The calculations of the 10 base deal with ratios, thus with measurement units. Converting them by permutations into absolute values I find curious at first, but they describe only the three starting points of the triangles in the vortex, which stand in 40º shift to each other. Nevertheless, Hertz numbers refer to seconds, thus to the temporal scheme - and thus they belong to the discussed number relationships:

The 666 represent a reference to the fact that "Satan is the prince of this world" (Saturn), as it is many times stated in the Bible. The division of the day into 24 equal parts comes from Egypt - Hor-ka-pet, the celestial bull of Saturn (Horus) - and it was adopted by the Greeks.

For me, the numbers and their "behaviors" are very interesting and closer examination promotes good thought processes. It is difficult to imagine that these frequencies are "natural" and seem very theoretical or constructed. The insights into certain peculiarities of these numbers are initially the takeaway that stands out for me. It is constructed in such a way and coincides with the world of numbers of the "Trinity" (of Christianity), with which I have occupied myself for more than 30 years - or, better said, which has occupied me for more than 30 years. There too these three numbers 3 6 9 (in the digit sums) are playing the key role.

But you have arranged all things by measure and number and weight.

Wisdom of Solomon 11:20

In connection with the Vortex we encountered the Christian angelic hierarchy, the "Ennead of Heliopolis" and Plotin, the founder of "Neoplatonism" and I consider that the whole of it leads directly to Plato and the ideas about the problem of the relationship between myth and the logos. This is a big part of the foundation of our culture and was a main influence for the "Roman Empire" which, in my opinion, still exists today (although under different names). Thus an intense study of Plato's writings would be required up to the question of the necessity of the Demiurge (Creator God) - and not only that, also Pythagoras, Heraclit, Socrates, Aristotle and many others would have to be part of this study, because it coincides exactly with the transition of the "magic" or "religious" mathematics into the "empirical sciences" (approximately since Aristotle). Finally the direct connections to the number-coded old Greek alphabet, to Egypt and Babylon up to the (canonical) structure of the Bible. I consider it quite possible that the four Evangelists represent the four phases of the year, 2x solstice and 2x equinox. Already Leonardo da Vinci seemed to want to tell us that the 12 disciples stand for the 12 signs of the zodiac in his Last Supper painting, in which the 12 disciples are represented by 11 men and one woman (the constellation Virgo is the only female sign of the zodiac). Does Leonardo da Vinci represent a bridge to the Rosicrucians?

A (quick) clarification is impossible just by the abundance of these materials. The richness of images in historical languages and the stories, which were only passed on orally for a long time, and which are partly much older than the Bible and which we find again in the metaphorical, religious writings, represent another big challenge for translations as well as the interpretation. Discussions about this subject are continuing to this day in all the existing disciplines.

At this point I would like to make a remark about Nikola Tesla: There is no doubt that he was an extremely intelligent man, but I have never dealt with him more closely. However, his late life, his end and the events around the whereabouts of both his research documents and his technical developments must be seen as tragic - and he worked in an environment full of "sinister" figures whom I don't trust at all. And this is exactly what belongs in the picture of so many things we are told that are neither proven nor true. It is precisely from those "sinister circles" that too much propaganda (I recommend reading Edward Bernays), too many lies and too many crimes are emerging. The "magic" numbers seem to have fallen into the wrong hands a long time ago. What it means when high knowledge gets into the wrong hands has been shown to us by the aristocracy and the Vatican for centuries.

The, probably most "political" representation of the Vortex is this one - very recent: we have arrived at 2 Thessalonians 2:11 (The Adversary of Christ).. With Trump's arrest on 8/25/2023, his path to winning the next election appears to be paved (Upside Down) and he will likely be enthusiastically elected and assume the role of Antichrist (The Antichrist is enthusiastically received). "The Golden Don" (Dawn) - Revelation of the Illuminated Son (Sun) - including Archangel Michael [Flynn]. The "Democrats" seem to be doing everything possible to ensure that Trump and the Republicans get back into office. "The Great Deception", "From Darkness to Light" - from Black Magick to White Magick, from Satan to Lucifer. No "awakening" and no liberation, but only an inversion - I remind of the above mentioned "technique" to get into the inversion of the female numbers by doubling the male numbers, or vice versa. In this sense, the vortex could also be seen as a diagram for "Hegelian dialectics". It is the shift from the male into the inverted female - from the green into the yellow triangle (from this point on in reverse direction).

I guess for a better or more "balanced" life, the 3 6 9 "axis" triangle should always be in focus - God, or following the "heavenly principle".

______

There is no doubt that there is magic in the 3 6 9. These numbers are something tremendously captivating. The vortex calculations, which describe the toroidal field, lead to descriptions, which I would like to see in the discussion on a broad basis. This type of mathematics, which has experienced its bloom about 2500 years ago, almost intoxicates!

The 9's order can be found in so many historical civilizations all over the world at the time of its origination - this alone raises that many questions. I guess that "3 6 9" was not "developed" by Pythagoras, rather this system was known long before and was "brought to us" by Pythagoras - in an extraordinarily well assorted form.

With a different arrangement of the digits, "quite a lot of Phytagoras" can be accommodated in the circle along with the vortex calculus.

Here is an example using the degree values: 9 x 40º = 360º.
Therefore 360º (digit sum 9) is at the 12 o'clock position. For the digit arrangement on the circle all digit sums of the degree values are derived now.

The first astonishing result is that both the 3 6 9 position and the vortex are preserved (although the "1" is now at a different position). It is also interesting that the summands of 9 - but this time 4 and 5 - produce the same digit sums as the degrees when multiplied by the index value. Since 360º stands for 0º at the same time, the 40º position gets the index 1, 80º the index 2 and so on. - so we calculate 40º -> digit sum is 4+0=4 multiplied by index number 1, so 4x1=4.

The same applies to the summand 5 as factor, but in the opposite direction: here 320º (digit sum 5) gets the index value 1 as factor, 280º the index 2 and so on. To complete the picture, I have added on the left the triplication of the triangle (0º, +40º and -40º) and - not to be forgotten - the underlying binary calculation (violet) including its digit sums.

I find, all these characteristics already explain quite well the entrance into the fascinating world of the 10's basis which was conveyed to us above all by Pythagoras. However, Pythagoras calculated these things 2500 years ago without zero, and a tetraktys ("fourness") was used for the calculation. In order to get there, however, I would like to mention one more peculiarity of our numbers first:

Because we are talking about orders of 3: If we divide the repdigit (the triplication of the digits) by the 3-fold addition of the digits, the result is always 37.

Since I already wrote above of "magic squares", for which also the Tetraktys is required, this picture is to clarify a further characteristic:
In the indexed arrangement as a 9square the numbers always generate the digit sum 9. This is true for the horizontal, as well as for the vertical and diagonal calculation.

It is easier to recognize with the 37. Here the result is always 111. The 37 seems to be an "arbitrary" number, but it is a third of 111, and, if we calculate without the zero, we see in the digit sum the "hint" to the base 10. And with this I finally get to the Tetraktys.

The Tetraktys

Tetraktys is called a fourness, because 1 + 2 + 3 + 4 = 10.
10 is the fourth triangular number.

The large triangle consists of 9 small triangles in the arrangement 1 + 3 + 5 (from top to bottom). By the center and the inner and outer circle, the triangle creates 10 points and it consists of 37 elements in total:

10 points, 18 lines and 9 planes make up these 37 elements.

The inner circle has an area ratio of 1:3 (or 33.3%) to the outer circle.

With aid of the Tetraktys the universal harmony was looked for, it was used for the construction of a musical harmony theory and was also required for the determination of intervals. Pythagoras brought the numbers with which Plato was working later and building up his philosophy. With this, the Platonic polyhedra can be represented and just innumerable symmetries can be shown, which serve(d) artistic composition and can be found above all in historical and sacral architecture. They are also the foundation of the "magic squares". Even in the "empirical" sciences, in mathematics and geometry and in many other fields, they are still significantly represented and they have not disappeared.

Fibonacci

I could not restrain myself, of course, after these vortex ( fluid flow ) calculations and the fabulous insight into the times before the emergence of our religion and "empirical" sciences - with which the change of the view, that the "free and independent" soul, which only inhabits the body and looks for a new body after its death - to the material binding of an (individual) soul to a body - took place - going 1600 years further into the present and comparing the "spiral form" doctrine of Leonardo da Pisa, called Fibonacci, under these impressions - and in fact it was really impressive!

This is the simplest explanation of the function for those who are unfamiliar with the "Fibonacci sequence":

The preceding number is added to the current number to generate the next value.

This will create the "Golden Spiral", so named because the ratio of the radii, the quarter circle sectors lining up, corresponds to the Golden Ratio and many growth patterns in nature.

As a kind of counter-experiment I had examined the Fibonacci sequences after the pattern of the digit sum calculation from the Vortex with the results popping the nines just in my face!

First I had written down the Fibonacci series in vertical order and and next to it the digit sums of the numerical values. What struck me very quickly was that rhythms of 3+1 resulted and that the groups of 1s are each divisible by 3, respectively generate 3, 6 or 9.

I noticed next that, as with the Vortex, the digit sums produce a sequence - but this time with 24 digits:
1,1,2,3,5,8,4,3,7,1,8,9, 8,8,7,6,4,1,5,6,2,8,1,9

As a musician, I was immediately reminded of the two octaves (2 x 12 notes) needed to create a diatonic scale, and it was unmistakable that if you divide the 24-note sequence into 2 x 12, the addition of the digit sums always results in 9:
1,1,2,3,5,8,4,3,7,1,8,9,
8,8,7,6,4,1,5,6,2,8,1,9

I then prepared this diagram in which the first 24 positions of the Fibonacci sequence are arranged vertically in two columns. The first 12 positions are on the far left and the second 12 positions are on the far right. Adding the numbers on the positions 1-12 of the Fibonacci sequence (leftmost) with the opposite position (13-24, rightmost) always results in the digit sum 9:

1 + 233 = 234 -> 9
1 + 377 = 378 -> 18 -> 9
2 + 610 = 612 -> 9
3 + 987 = 990 -> 18 -> 9
5 + 1597 = 1602 -> 9
8 + 2584 = 2592 -> 18 -> 9
13 + 4181 = 4194 -> 18 -> 9
21 + 6765 = 6786 -> 27 -> 9
34 + 10946 = 10980 -> 27 -> 9
55 + 17711 = 17766 -> 27 -> 9
89 + 28657 = 28746 -> 27 -> 9
144 + 46368 = 46512 -> 18 -> 9

In the orange framed vertical columns the digit sums of the Fibonacci numbers are listed. This makes it easier to distinguish the additions of the digit sums mentioned at the beginning, which each add up to 9.

If the digit sums of the (blue) groups of 3 are read as three-digit numbers, they each add up to 999 when added to the corresponding opposite (blue) three-digits digit sum numbers:
112 + 887 = 999; 584 + 415 = 999; 718 + 281 = 999.
The iterative digit sum of 999 is 9:
9 + 9 + 9 = 27 -> 2 + 7 = 9
Also the addition of the digit sums (white) of the (blue) numbers read as three digits, results in the digit sum 9 each time:
4 + 5 = 9; 8 + 1 = 9; 7 + 2 = 9
This also applies to the addition of the digit sums of the three (yellow) groups of 1s:
3 + 6 = 9; 3 + 6 = 9; 9 + 9 = 18 -> 1 + 8 = 9

Vertical Calculations

The addition of the first twelve Fibonacci numbers equals 376, the digit sum is 7 (3 + 7 + 6 = 16 -> 1 + 6 = 7).
The addition of the second twelve Fibonacci numbers equals 121016, the digit sum is 2 (1 + 2 + 1 + 0 + 1 + 6 = 11 -> 1 + 1 = 2).
The addition of the two digit sums equals 9 (7 + 2 = 9).

The addition of the first twelve digit sums equals 52, and again the digit sum is 7(5 + 2 = 7).
The addition of the second twelve digit sums equals 65, and again the digit sum is 2 (6 + 5 = 11 -> 1 + 1 = 2).
The addition of the two digit sums equals 9 (7 + 2 = 9).

Lastly, as an evidence for the repetition of the 24 digit digit sum sequence "1,1,2,3,5,8,4,3,7,1,8,9,8,8,7,6,4,1,5,6,2,8,1,9", here is the continuation from the 25th position of the Fibonacci sequence - I didn't want to overload the image. Thus, it is the first repetition of the sequence. The first number, the 25th Fibonacci number 75025 therefore starts in the digit sum again with the first number of the sequence, which is 1 (7 + 5 + 0 + 2 + 5 = 19 -> 1 + 9 = 10 -> 1 + 0 = 1). The digit sums are written in brackets following the Fibonacci numbers:

75025 (1) + 24157817 (8) = 24232842 (9)
121393 (1) + 39088169 (8) = 39209562 (9)
196418 (2) + 63245986 (7) = 63442404 (9)
317811 (3) + 102334155 (6) = 102651966 (9)
514229 (5) + 165580141 (4) = 166094370 (9)
832040 (8) + 267914296 (1) = 268746336 (9)
1346269 (4) + 433494437 (5) = 434840706 (9)
2178309 (3) + 701408733 (6) = 703587042 (9)
3524578 (7) + 1134903170 (2) = 1138427748 (9)
5702887 (1) + 1836311903 (8) = 1842014790 (9)
9227465 (8) + 2971215073 (1) = 2980442538 (9)
14930352 (9) + 4807526976 (9) = 4822457328 (9)

This is the very magic of the ancient Greeks which fascinates me to such an extent!

Let no one deceive himself. If anyone among you thinks that he is wise in this age, let him become a fool that he may become wise. 19 For the wisdom of this world is folly with God. For it is written, “He catches the wise in their craftiness,”

Résumé

The simplicity of the 3 6 9 connections is truly amazing! It is a reminder that God has made things simple for us. Only Satan or his demons make things complicated.

Freedom of the Community

Let no one deceive himself.
If anyone among you thinks that he is wise in this age,
let him become a fool that he may become wise.
For the wisdom of this world is folly with God.
For it is written,
“He catches the wise in their craftiness.”

Corinthians 13:18-19

Only with the arrangement of the "axis numbers" it becomes somewhat confusing. But this unwieldiness is actually not complicated, but it shows an extraordinary consequence, because the used principle is applied again in every further branching (- like with cell divisions). This extraordinary consequentialness is not always recognizable immediately and is most comparable with the Karma and its inevitability. With Karma there is no negotiation!

The interpretation as karma for me also clarifies Deut. 5 in the Bible, a passage that I didn't understood for a long time and considered to be completely exaggerated - perhaps because I "made a picture" of it way too much. Here is the "classic" example of the phrase "I, the LORD your God...", which is made so personified and linked with emotional terms that it is almost enticing to form a picture and thus misinterpret the content of the statement! Today I rather understand it as the description of the Karma - in all its inevitability:

You shall not bow down to them or serve them; for I the Lord your God am a jealous God, visiting the iniquity of the fathers on the children to the third and fourth generation of those who hate me, but showing steadfast love to thousands of those who love me and keep my commandments.

Deuteronomy 5:9-10

The wrong reception of this statement, which is triggered by the personification, might rather serve the princes of the church, the "Vicarii Filii Dei", who use it to intimidate their "congregation" - thus keeping them in "low vibrations" by fear and "tie back again" (Latin - religare) - this term might be interpreted both positively and negatively. The very title "Vicarius Filii Dei" (representative of the Son of God) is such a arrogance that it is hardly comprehensible and also contains an irresolvable contradiction. I argue as well with the "priestly scripture" used in the Bible, originating from the Babylonian exile, which clearly radiates an excessive focus on exercised power. The Roman Catholic Church is certainly the most unapologetic of the (man-made) "Christian religions". The very first Council of Nicaea (325), presided over by Roman Emperor Flavius Valerius Constantinus, was primarily linked to the Roman Empire and its interests - plus the exclusion of important scriptures from the Bible (more than 40 books were discarded)... But spirituality and religion are two different issues...

That which I find in the discussed numbers first of all brings me closer to the ancient Greek spirit of Plato and Pythagoras, who sought the (simple) harmony of the universe - which feels good in a world of corporatist "application-centeredness", which only coldly calculates.

______

P.S.:

A stimulus by the Vortex led me directly (back) into music and to Guido D'Arezzo (who was already mentioned in Dante's "Divine Comedy" and in "Finnigan's Wake" by James Joyce). Guido D'Arezzo (left in the picture) had developed the first solfège (scale) just more than 1000 years ago, but with 6 instead of (today) 7 pitches.

A similar process occurred 700 years later with the spectral colors, which were expanded by Isaac Newton by adding indigo (allegedly as an "approximation to the Greek Sophists") from 6 to 7 colors. The division of the color widths in the spectrum corresponds to the tone intervals in our today's tempered tonal system.
1:7 produces a six-digit periodic sequence of the same digits as the six digit sums of the nine-digit vortex - but with two differences in the sequence. Instead of 1 2 4 8 7 5 (vortex), there is 1 : 7 = 0.142857 (behind the decimal point as a "period").

If we divide the 6 numbers, as seen above, into two halves, it is thus in each case the 2nd and 3rd number of the two groups of three which exchange the positions (or indexings). It's the number sequence of an enneagram, a symbol that today stands primarily for the (value-free) determination of nine different personality types. This is not my cup of tea, but the Enneagram is much older than psychology or psychological "axioms" and its origin or roots are stated as "unknown". I guess in connection with the change of the solfège and the number of spectral colors from 6 to 7, it is definitely worth a closer look, and I will give it a more detailed look when the opportunity arises.