Second hand for sale

€ 4200.-

The Weiss EQ1 in the ultimate DYN/LP configuration (retail price over €13,000). Excellent condition. This EQ is legendary and unmatched in terms of phase linearity. In DYN mode, it's my first choice for mastering, while in LP mode (with double filter quality), it's perfect for the most delicate and “surgical” corrections.

The EQ1 is also a joy to use—everything is clearly laid out and just as clear as its unique sound. The settings can be transferred via MIDI.

€ 3800.-

A “very musical” mastering equalizer with detented knobs that sounds very close to the Neve sound, is very easily adjustable, and produces the “big sound” you want for mastering.

The equalizer is in mint condition and has been used for less than 40 hours. Life had other plans for me, which is why I am now selling it.

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This fantastic EQ, which is difficult to obtain in this condition, is a veritable sensation.

The characteristics, levels and type of transformer can be varied (Iron and Vintage).

For extremely “clean” applications, the transformers can also be bypassed.

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This passive midrange EQ is closely related to the Pultec MEQ - as it is stereo, it even operates exactly like two MEQs.

It has character and sounds excellent! However, it must be amplified by approx. 35 dB following the outputs. A (good) stereo mic pre can be used for this (but do not use phantom power!).

€ 850.-

The SA-2A is a replica of the Teletronix LA-2A and offers a transparent, warm, smooth, big and powerful sound.

This tube opto Compressor or Limiter is particularly good for vocals, kick or bass. STAM stands for exceptional quality.

€ 1250.-

Two “racked” Telefunken V672 (built in 1970) offer a choice of a “vintage” front or back end with up to +70dB gain. These old radio studio amplifiers are a class act and an excellent sounding solution - also very convincing as a makeup amplifier. (Best friend of the Pullet EQ.)

Because the pad switches of the “Go Between Kits” (JLM) used were in front of the transformer, two alternative pad switches have been added subsequently (behind the transformers for better saturation).

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Four-channel mono submixer with Mic-Pre and Envelope-Follower. The four channels of the main mixer can be distributed in the room both manually and quadraphonically via CV.

It is the REV5 3/11 version, which as far as I know is still in production.

I am also including the audio breakout module, which is no longer available, so that you can connect the microphone and four output cables to the rear of the case.

€ 1350.-

The 297 is called “Dave's Barber Shoppe” because it can produce a “barber pole effect”. The phase shift appears to move continuously in one direction (rather than up and down). The rate can be varied up to 2.5 octaves per second in both directions and is CV controllable.

The Model 297 is an original Buchla module and is still in production today. I have used this module on very few occasions.

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The Model 285 (from the 200 Series) is a “bread and butter” module. It offers a Frequency Shifter and (above all) a Ring Modulator. This module is a clone and was only used for a few hours - in fact it was only tested for its function (because I also own another 285 module).

This module was built by Adam Scramstad from Oregon - the build quality of his modules is exceptional!

€ 250.-

The MOTM Module 320 VC LFO was built by Paul Schreiber (Synthtech/USA). A fantastic LFO of outstanding quality! Like many MOTM modules, this module has a sturdy metal plate to shield against interference.

Includes MOTM power cable.

€ 140.-

4-channel polarization cascade Mixer and Slew Limiter inspired by the ARP 2600, a versatile Voltage Processor for Control Voltage manipulations such as addition, subtraction, attenuation, gain and offset. It can also be used very effectively with audio signals.

€ 140.-

Tiptop Audio Zeus Studio Bus Board, Cincon power supply (4.6A) and 2 HP Zeus Access Switch Module. Complete and ready to use.

It can be extended by a further 2 studio bus boards!

€ 850.-

The ARP Little Brother is a monophonic expander module that was built from 1975 to -77. The audio output of the Little Brother is connected to the external audio input of a synthesizer.

A very rare item! Superbly refurbished by St. Eric (Eric van Baaren), Europe's leading ARP technician. The sliders have been relubricated and the capacitors of the power supply have been renewed.

€ 850.-

Simply the best keyboard amp ever built! 300W, stereo, preamp switchable from tube to solid state.

Tube preamp stage with foot switchable lead gain. True stereo solid-state power amp stage with 300 watts. Four-channel stereo mixer with XLR DI outputs. Aux post master monitor line input.

€ 70.-

A special feature of this keyboard is that it has two connections for pedals (sustain and expression). This is quite rare. A computer can be connected via “USB” and a phone or tablet via “Mobile”.

In addition to the pitch wheel and modulation wheel, the keyboard also has two additional controllers (knobs): (Volume and Pan / cc7 and cc10). There is also an Octave switch (when Shift is pressed, it is a transposition switch).

130.-

Lovely little power conditioner from leading manufacturer Furman. Although it only has two connections, it can “clean” a total of 10A. This means that multiple sockets can also be connected (add up the power requirements of the connected devices beforehand!). In addition to conditioning, it also offers reliable overload protection without destroying the device itself.

I had purchased it for my keyboard amp because tube devices are sometimes sensitive to poor power quality. However, the small Furman has only been used once. Since I am significantly downsizing my studio and am now selling the keyboard amp, the Furman is also available for finding a new home.

€ 60.-

High-quality closed headphones designed for studio monitoring, but also excellent for other critical listening environments. Two connection cables (coiled and straight) are included. Features include “natural” surround sound and “shielding against magnetic radiation.” The sound quality is very good, with deep bass, beautifully defined treble, and lots of detail.

The material of the black pads has started to disintegrate, but the light-colored pads are perfect—the headphones have never been used and were just sitting in the closet in their packaging.

80.-

1919-inch case with 15U, which I had custom- built for my 5U MOTM from Thomann. It can also accommodate 5 x 19-inch rows of Eurorack modules (and is equipped for this purpose). It is pleasantly light and very well suited for transport. It has 8 rubber feet, four for horizontal transport (with lid) and 4 for vertical setup (without lid).

There are a few small holes ( that's where the screws were used to secure the transformer) and a larger recess for a built-in socket (for the power connection).