Second hand for sale

€ 1860.-

Four-channel mono submixer with Mic-Pre and Envelope-Follower. The four channels of the main mixer can be distributed in the room both manually and quadraphonically via CV.

It is the REV5 3/11 version, which as far as I know is still in production.
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For €70.- extra I sell the 227e module with the unavailable Audio Breakout.

€ 1420.-

The 297 is called “Dave's Barber Shoppe” because it can produce a “barber pole effect”. The phase shift appears to move continuously in one direction (rather than up and down). The rate can be varied up to 2.5 octaves per second in both directions and is CV controllable.

The Model 297 is an original Buchla module and is still in production today. I have used this module on very few occasions.

€ 570.-

The Model 285 (from the 200 Series) is a “bread and butter” module. It offers a Frequency Shifter and (above all) a Ring Modulator. This module is a clone and was only used for a few hours - in fact it was only tested for its function (because I also own another 285 module).

This module was built by Adam Scramstad from Oregon - the build quality of his modules is exceptional!

€ 900.-

The ARP Little Brother is a monophonic expander module that was built from 1975 to -77. The audio output of the Little Brother is connected to the external audio input of a synthesizer.

A very rare item! Superbly refurbished by St. Eric (Eric van Baaren), Europe's leading ARP technician. The sliders have been relubricated and the capacitors of the power supply have been renewed.

€ 260.-

I have two MOTM 320 VC LFO modules to offer. This one was built by Paul Schreiber (Synthtech/USA)! A fantastic LFO and manufactured with outstanding quality!

Including power cable.

€ 260.-

The second MOTM 320 VC LFO - built in equally outstanding quality - either by Paul Schreiber or Jürgen Haible.

Both modules have a sturdy metal plate for shielding.

Including power cable.

€ 150.-

4-channel polarization cascade Mixer and Slew Limiter inspired by the ARP 2600, a versatile Voltage Processor for Control Voltage manipulations such as addition, subtraction, attenuation, gain and offset. It can also be used very effectively with audio signals.

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A good quality two-channel Amplifier that either amplifies the signals up to 10 times the original input level or attenuates them to zero. It also has two LEDs per channel to indicate the output polarity.

€ 160.-

Tiptop Audio Zeus Studio Bus Board, Cincon power supply (4.6A) and 2 HP Zeus Access Switch Module. Complete and ready to use.

It can be extended by a further 2 studio bus boards!

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This fantastic EQ, which is difficult to obtain in this condition, is a veritable sensation.

The characteristics, levels and type of transformer can be varied (Iron and Vintage).

For extremely “clean” applications, the transformers can also be bypassed.

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This passive midrange EQ is closely related to the Pultec MEQ - as it is stereo, it even operates exactly like two MEQs.

It has character and sounds excellent! However, it must be amplified by approx. 35 dB following the outputs. A (good) stereo mic pre can be used for this (but do not use phantom power!).

€ 1250.-

Two “racked” Telefunken V672 (built in 1970) offer a choice of a “vintage” front or back end with up to +70dB gain. These old radio studio amplifiers are a class act and an excellent sounding solution - also very convincing as a makeup amplifier. (Best friend of the Pullet EQ.)

Because the pad switches of the “Go Between Kits” (JLM) used were in front of the transformer, two alternative pad switches have been added subsequently (behind the transformers for better saturation).

€ 950.-

The SA-2A is a replica of the Teletronix LA-2A and offers a transparent, warm, smooth, big and powerful sound.

This tube opto Compressor or Limiter is particularly good for vocals, kick or bass. STAM stands for exceptional quality.

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This compressor is a remake of the legendary SSL G Comp. It is a stereo VCA compressor without transformer, ideal for the drum bus. The original has made its place in history.

It creates a clearer impression than, for example, the UAD emulation of the SSL G Comp - and I mean that positively, because in this case it is desired. The sound is clearly vitalized.

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The BOB-32 breakout box is an extension for digital AES/EBU multi-channel audio interfaces. It connects 16 XLR connectors with two D-Sub25 connectors. This allows 16 AES XLR connections (32 audio channels) to be connected via this 19-inch patchbay.

A special feature is the option of folding the enclosure in the middle and arranging both connection sides one below the other on two U in the rack. Pin-compatible with TASCAM and Yamaha formats.

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The very deep 2U case of the new design from SKB - with rackmount kits at the front and rear.

The external dimensions (with lids) are 609 x 569 x 157 mm. Due to its depth, the case is perfect for having devices at the front and at the back.

It was only used for a single transport and comes in its original box.

€ 90.-

A special feature of this keyboard is that it has two connections for pedals (sustain and expression). This is quite rare. A computer can be connected via “USB” and a phone or tablet via “Mobile”.

In addition to the pitch wheel and modulation wheel, the keyboard also has two additional controllers (knobs): (Volume and Pan / cc7 and cc10). There is also an Octave switch (when Shift is pressed, it is a transposition switch).

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The Redco Little Red Cue Box is a professional audio monitoring device. Up to four dynamic headphones can be connected to the headphone outputs. The volume of each headphone can then be controlled separately so that each musician can hear the same cue mix at a comfortable volume. A typical case where this is important is when recording background vocals where more than one vocalist is using the same microphone and cue.

XLR input and output connectors for series connection with standard microphone cables - Durable red powder coating - The bottom of the device has a thread for mounting on microphone stands.