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Minimoog Model D

Minimoog Wikipedia | Synthesizer Wikipedia

The name MOOG stands for many as synonymous with synthesizers in general. It was probably the first big name among the synthesizers. This is about the Minimoog, which was planned as a stage synthesizer in contrast to the large modular system and rapidly spread.

Actually, I don´t know this synth good enough yet to write about it - the following lines therefore communicate my joy about the receipt and a summary of my first impressions and insights. To place an initial comparison to the ARP Odyssey, which achieves its luminosity through the internal structuring of sounds and clarity: the Minimoog has only two simple envelopes, no S/H and no ringmodulation - rather, it follows a different principle.

What it is

The combination of the very "fat" sounding VCOs with the (rightly) famous filter is extremely musical. Because of its warmth (cumulatied even harmonics) the mini is quite "dirty", which can lead to wonderful sounds. Its focus is to be seen rather in the interaction of the three VCOs - like tunings - and filter gradients. It can also produce quasi-ring-modulated sounds (frequency modulation), if Osc3 is used as the modulation frequency for Osc1 and the mod wheel is open. Sounds reminding to sreeming electric guitars can be heard when the parameter "Amount Of Contour" is encouraged - by the specific behavior of the filter, the Amount also acts as a sort of "Drive". The return of the signal into the audio input can even generate more extreme, distorted sounds. True Dirt!

img This synthesizer exerts a strong magic and it is hard to escape this magic. A synthesizer for any kind of forceful melodies, but also for more abstract sounds. Abstraction is mainly caused by detuning of the 3 VCOs, filter-curves and through the use of the modulation wheel. Filter-emphasis (resonance) and Contour Amount are essential parameters that complement ideally the sound of these VCOs.


The Minimoog Model D is a conglomerate, also in its design: everything has to do with everything! The tuning procedures (6 trimmers which have to be matched among each other) is symbolic for this instrument. The lack of complexity, it compensates for it´s richness in the sound. The Minimoog has a very distinct character and an extremly high recognition value!

Extensibility

The Minimoog Model D is not so good for expandings as it´s successor Voyager Old School. Pitch, cutoff frequency and volume are provided for external control. Up to 3 pedals (Moog 958) may be connected.

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Today, very hard to find is this pretty joystick XY controller (Moog 959). It gets power from the Mini and has two outputs (cables which can be patched into the appropriate inputs).

I have never seen the Sequencer System (960 sequencer, 961 Interface, 962 Sequential Switch, possibly in the appropriate cabinet) - and at least it seems to be not so widespreaded nowadays. img


I will examine in the near future, whether as the Doepfer A174 joy-stick can be adapted to the Minimoog (information welcome!) and look forward to the musical experiences yet to come. More about Moog at a later date.


Here is a short clip (before restauration):


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About

firefox Pianist, musician, live electronics performer, software-developer, "Mobile Studio" operator. Mainly in the context of new and improvised music act. Apparent penchant for improvisation, Jazz past. Freelance Artist.

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